How to Pose Glamour Photography Models

Photography Classes Chicago - How to Pose Glamour Photography Models

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No director of glamour photography models need be given a list of reasons why a head is invaluable in a picture. Some directors do, however, welcome ideas on how to bring the model's best face send - whether it is one of beauty, character and/or expression.

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Before we come to our views of the subject, however, we would like to rejoinder the nearnessy of the controversy existing over the candid versus the controlled pose. Some directors avow they never direct their subject. 'To place a head or a mouth in a pre-determined position,' they say, 'would destroy all of the spontaneity and naturalness of the picture.'

Others, just as vehemently, avow that 'In a firm that calls for consistent results, lucky mood and coincidence are not enough. They are not dependable and cannot be depended upon.'

We feel that when both director and model have a working knowledge of technique, each private job will decree whether the pose requires controlled, candid or controlled-candid treatment.

Experienced directors convention many ways of getting a glamour photography model to act and react realistically before the camera. Each has industrialized ways of controlling a model without having indubitably to push her into position. Adroit use of words, exemplary action, strategic suggestion and psychological motivation all bring forth expression that is dependable as well as spontaneous. At the same time most directors have found in actual practice, that with inviting direction from behind the camera, any capable model can accept improvement and rearrange parts plainly without showing strain and losing spontaneity!

In photography we lean heavily upon the model's capabilities, yes, and in many instances even upon her ability to inspire us by doing something her way from which we can elect or perfect a pose.

So, part of a director's success lies in his ability to keep a model suggesting ideas within the scope of the camera's ability to article them.

Many models feel they have exhausted the possibilities for different head positions when they have turned their head moderately from the left of the camera to the right of the camera! This can be most exasperating to a director (especially if you believe that you get the fullest creative gift from a model by allowing her to move freely instead of placing her). Try a suggestion that will take her into some other positions from which you might elect a pose.

You might ask her to repeat the horizontal turn - this time with her chin up a slight higher. This gives you at least six added positions to pick from. Then ask her to lower her chin and repeat the horizontal turn - six more positions! By repeating each of these eighteen positions with her head tilted right and then with her head tilted left, you've added an additional one thirty-six possibilities without yet putting her in any exact position.

If your model has problem with the tilt, which is the most difficult direction to understand, you might try this. Hold a pencil vertically in front of your model's face. Let the tip of her nose touch the pencil and divide it equally lengthwise. Ask her to put her chin on one side of the pencil and her forehead on the other as you repeat the word tilt.

With encouragement, let her try a few combined movements such as, 'Turn your head slightly to the right... That's good ... Now tilt the top of your head right (or tilt your chin left).' If she loses her thought of tilt, hold the pencil before her again and she will normally remember it for the remainder of the sitting.

Work with your glamour photography model to give her confidence, and you will indubitably get some great pictures.

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