Photography Classes Chicago - How to Take Awesome Indoor Portraits - explore 5 incommunicable Keys to phenomenal Portraits & Still Lifes
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Photography Classes Chicago! Again, for I know. Ready to share new things that are useful. You and your friends.I would like to share with you some significant keys on how to take best indoor portraits and still life photographs. These are insider secrets I've learned over the past 33 years as an avid photographer. They aren't something I learned in a class or studied at college. Rather, they are things that I've picked up along the way that have helped make me the thriving inspirational photographer that I am today.
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Key #1 - If you're doing a portrait of a man or a still life of an object, always begin by paying concentration to the background. What's in the background? What is behind the subject? Ask yourself if the background is distracting for any reason. What is the lighting in the background like? Is it enchanting glaring light from the reflection of a car window, or is it a enchanting sky with too much light, or is it a bunch of junk in someone's stable or living room? You have to learn to pay concentration to what's behind your field because anything it is, it's going to be in your photograph, and there's a high likelihood that it will be distracting. Once you survey the background, you must rule if it's a distraction or not. If it is, then you need to whether move your field or you need to move and shoot the field from a dissimilar angle. Do anything you need to do to get rid of a distracting background. If you're shooting a close up of a flower, you may need to bend an adjacent flower out of the way or break it off wholly so that it's not in the way. In summary, pay close concentration to the background, and make sure that it is not distracting. This one uncomplicated key will save you from wrecking many good photographs.
Key #2 - The most important element in your photograph is the lighting. Ask yourself what the light is doing as you look through your viewfinder. Look for the highlights and the shadows and the midtones. Pretend you're color blind and try to see all through the tonal composition of black and white rather than color. Colors are deceiving. They capture your concentration with their beauty, but they disguise what the light is doing in terms of highlights and shadows. Don't let this happen to you. Learn to look past the colors and try to see the black and white and grey tones that they represent and are reflecting to your lens. A great photograph will have a broad spectrum of tones from very dark to very light, from true black to variations of gray to true white. The more difference of tones you are able to capture in the image, the best the lighting and difference will be in the photograph. This is extremely important in black and white photography. It is equally important in color photography, but it's easier for people to get away with less variations of tones because most viewers will be distracted by the colors.
Key #3 - One of the best kinds of light to use in portrait and still life photography is soft diffused window light. Let's say you want to take a photograph of your grandson. Find a room in the house that has natural diffused light coming in through the window. Don't use a room that has direct light coming through the window because that is too bright/strong. Instead, look for a window where indirect light comes in and diffuses throughout the room. That's the best light to use for a portrait or a still life.
Key #4 - Your best friend should always be your tripod. always take it with you wherever you go because you never know when you're going to need it. In the above scenario with your grandson, sit him near the window on a chair where he's comfortable and where he can sit still. Then set up your tripod, attach your camera, and check on the lighting in the room and on the subject's face. Use your built-in light meter to measure the amount of light on the grandson's face, and then adjust your aperture and shutter speed correctly. Remember key #1 and make sure there's no distractions in the background. If you need to, hang a big blanket or sheet behind him to give you a neutral solid background that is not distracting and will admittedly heighten the subject. I forgot to mention that the imagine you're going to need a tripod is that the light will be low in the room. Using a tripod will keep you from shaking the camera and confusion the image. You will also need to make sure that your camera does not use the built-in flash to try to make up for the low light conditions. You may have to disable the flash so that you can take the photo without it. One more point, instruct your field not to move when you take the photograph; otherwise, the image will be blurred.
Key #5 - Learn how to use your aperture and shutter speed in allowable conjunction in order to operate your "depth of field." You may be asking, "What in the world is depth of field?" Depth of field is naturally how much of the depth of the photograph is in focus and how much of it is out of focus and blurred. In other words, depth of field is the zone of acceptably sharp focus surrounding the area admittedly focused on. Generally, when you are taking portraits or still life photographs, you want the background out of focus or blurred to some degree in order to heighten the sharp focus of the subject. Here's what you will want to do to perform this result. Begin by focusing on the eyes of the subject, in this case, the grandson's eyes. This is the most important part of a person's face that needs to be in sharp focus. Then rule how much of the subject's head you want in focus. If you want to have the whole head in focus, then you should probably choose a middle aperture setting of around 5.6 or 8. If you rule you only want his eyes in focus, then you would generate a narrow depth of field by using a lower f-stop of 2.8. On the other hand, if you wanted his whole head in focus and the piano behind him in focus, you would need to generate a deep depth of field by using a high f-stop of 16 or 22.
In conclusion, there are several keys to taking high-quality indoor portraits and still lifes. Remember to always check the background and make sure it is not distracting. Then study the available light that you plan on using and try to see the image through black and white tones, highlights, and shadows. Find a room in the house or in the basement where there is soft diffused window light to use to light the face of your subject. Make sure to always use a tripod so that you can set the shutter speed at the correct slow speed to capture the available low light. Using a tripod will keep you from shaking the camera and confusion the image. And finally, learn how to use your aperture and shutter speed in allowable conjunction to operate your depth of field to get all you want in focus and all else out of focus. Take a lot of shots and have fun with various poses.
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